Some of my equipment
Designed for the purpose of capturing Hollywood blockbusters. This camera revolutionised the film industry completely capturing films such as The Hobbit! Capturing images up to 5K means no matter what the production you are guaranteed the best quality available.
Sony's latest piece of kit suitable as an A Cam or B Cam for film and corporate work, shooting great 4k footage at 10bit 4:2:2 and 16bit RAW Out into an Atomos V Recorder.
This HD camera is truly top of the tree! Exporting full 10 bit s-log 4:4:4 video to our top of the range AKA video recorder, there is not much else that comes close to the quality of this little baby!
DJI Remote Focus
A useful quality piece of kit essential for those tricky narrative film jobs!
Carl Zeiss/Canon FD Lenses
Most of the glass we stick on the front of our cameras is top notch highly sort after Canon FD glass and some T* Carl Zeiss primes.
55mm F1.2 Aspherical
85mm F1.2 L
20-35mm F3.5 L
Sound Devices Mixer & Rode NTG-3 Shotgun microphone.
Good pictures are useless unless you have top notch audio! We can capture straight to camera but for better quality we use Rode NTG 3 microphones into Sound Devices pre-amps for world class audio. From here the audio is recorded to a Fostex recorder, the upshot, the best quality audio you can get!
When it comes to lighting there is only one brand to rely on and thats Arri! The standard in professional lighting! Ranging from 1.2k HMI down to 150w, coupled with a range of top quality professional LED panels, light tubes, again we have it covered!
Post production also utilises the latest in top end equipment. For mobile editing we use Final Cut Pro X on an Apple MacBook Pro, but when in the office it's all steam ahead on the latest Apple Mac powerhouse hooked up to 4k monitors.